This is a very liberal Galician-Portuguese translation of the manuscript a from the Germanische Nationalmuseum Nuremberg. It is authored by Diniz. Codex a of the Germanisches Nationalmuseum in Nuremberg (also known as Hs. a, GNM a, Nürnberger Handschrift GNM a) is a. The codex Nürnberger Handschrift GNM a ( folia) is a manuscript dating from around , preserved today in the Germanisches Nationalmuseum in.

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This is about the squint-hew, etc.

Nuremberg Hausbuch (MS 3227a)

Would you anneal the hardness gnmm steel? And this goes to the Authorities. All elements of this are based on this writing, which here explain the foundation and the principles. Papel marfim de alta gramatura.

Then brush the water with a feather, thus the edge releases its hardness and becomes annealed. H ere the plays and the prescriptions of the unarmored fencing of Master Liechtenauer are recapped and elaborated differently with shorter and simpler speech so as to grant greater and better understanding and comprehension than as it was written before in the rhymes and glosses, unclearly and incomprehensibly.

Retrieved from ” https: Talk to someone about your potential earnings. Take this arm over your head and secure the grip with your left hand behind your head; and then push against his chest with your right again. If you act according to this lesson, fastening well so that you always have and won the fore-strike and as soon as you execute that, you then hasten the after-strike into the opponent thereafter, immediately without refrain that is the second, the third or the fourth strike, be it hew or stab then the opponent can never come to strikes.

During the period in which it was taught, it was known as the Kunst des Fechtens, most of the authors are, or claim to be, in the tradition of the 14th century master Johannes Liechtenauer. Also know that there are two shield steps, which are useful for many fencing techniques: An edition of the manuscript’s culinary recipes was published by Ehlert and Leng This is about the changing-through, etc, etc.

And each man has four steps, one forward and one backward and one to each side. These are the foundation, the core and fundamentals of all fencing. But if he is strong and wards and leads off the stab, such that he again becomes strong on the sword and carries off his sword and wards the stab also that the opponent forces-out the fencer’s sword, so shall the fencer again become weak and soft against that and shall allow his sword to lead off and weaken him and swiftly seek his openings with hewing, stabbing and with cutting as it may solely be.


When he goes or runs at someone, Just as soon as he sees he may reach him with a step or with a spring, wherever he then sees him somehow open, there he shall drive onwards with ease to the head or to the body, bravely without any fear wherever he may have him with surety. On the right side are a pilaster-shaped tabernacle, frescoed in the 15th century, the interior has a nave and two aisles, the latter smaller in height, with a transept, a presbytery and three aisles.

The fourth guard, from-the-roof, is the long-point. If he then withdraws himself from the sword before any situation, gnmm than you begin, then you shall immediately pursue and shall strike hews or stabs whatever you may most surely deliver, before he comes to anything at all. And recognise the hardening thusly—when the edge is blue, then it has rightly hardened. I would be extremely grateful to anyone who could point me in the right direction. And pull him towards your side, and take care that you grab his arm joint and that you hold his hand back strongly with your head, and with the other hand push away against his chest so you break his arm.

This suggests some difference in the relative positions of the body and the weapon in case of these two techniques. It aimed to purify, mature, and perfect certain objects, the perfection of the human body and soul was thought to permit or result from the alchemical magnum opus and, in the Hellenistic and western tradition, the achievement of gnosis.

Nürnberger Handschrift GNM a – WikiVisually

The museum constitutes a monument in itself, as it consists of a variety of buildings erected in different periods. I believe it should be tnm that, unless pushing the opponent, one should not remain in the extended position, but rather use winden or hengen shot 18 and other techniques shot 13 to carry on the fight.


New methods of producing it by carburizing bars of iron in the process were devised in the 17th century. It is a mixture of sulfur, charcoal, and potassium nitrate, the sulfur and charcoal act as fuels, and the saltpeter is an oxidizer. And with this principle you can deceive many people.

Take one part white radish, and one part horse-radish, and one part earthworms, one part cockchafer-grubs, and one part buck’s blood from when that buck goes to rutting. The German revolutions of —49 had failed to achieve a liberalised and unified Germany, thus the name of the museum maintained the idea of a close cultural relationship within a region defined by the common German language, 3227q a shared German cultural tradition.

So take one part chamomile blooms, and one part cranesbill that has blue blossoms, and one part Mary’s thistle, and put all that together into hot water. More recently, it is understood to be a written, typed, or word-processed copy of a work.


Having stated my opinion on the value of GNM a as a fight book, I freely admit that translating its contents into motion is not an easy task.

The Tyrolean hero Andreas Hofer was executed in Mantua, his remains were returned to Innsbruck induring World War I, the only recorded action taking place in Innsbruck was near the end of the war. In the Philippines, for example, as early as AD, specimen documents were not inscribed by stylus and this type of document was rare compared to the usual leaves and gmm staves that were inscribed.

Starting from the preliminary set of axioms we may begin a functional analysis based on hands-on experience – on different occasions there will be references to shots from the accompanying video.